The research takes origin from multiple spheres of contemporary culture, proposing formal syntheses with imaginative and deliberately ambiguous features, assuming unrealistic but potentially plausible tones for the spectator. Through repeated semantic stratifications and a continuous tension for experimenting with materials, the work puts together collective imaginery and the personal sphere in a loop of visual references, destabilizing and familiar at the same time. The theme of the relationship between human beings and their evolutionary perspectives of hybridization with technology, the nuances of meaning between natural and artificial, physicality and virtuality and the subtle dichotomy between appearance and reality are among the main investigation areas.